José Gabriel Borba Filho
Carimbo e caneta hidrográfica, 0.00 X 0.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
29.70 X 21.00
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Poeticas Visuais (Visual Poetry)
23.00 X 15.50
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Arco Madrid 2015, Espaço B, In Contextu
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Fotocópia, 32.50 X 23.50
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: 6ª JAC Jovem Arte Contemporânea
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
diapositos, 0.00 X 0.00 X 0.00
Works, Series and Collections: POESIA eVENTO
Expositions: Espaço B, Noite POESIA EVENTO
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Mimiografo, 23.00 X 16.70 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Espaço B, In Contextu
OffSet, 34.00 X 24.00 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Impresso, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Colagem nankin sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Artista Profissional (PGU 666 second edition, 1980)
My briefing
Prontuário Geral Unificado 666 (General Record Unified 666). As it is known, 666 is the number of the beast.
This edition of PGU 666, printed by the Cooperativa de Artistas Plásticos de São Paulo, (Cooperative of Visual Artists of São Paulo) under the title Artista Profissional (Professional Artist) was launched in 1980 at its headquarters. The release, in performance format, consisted of a parody of book launching by bookstores or publishers.
In this offset edition I included a card that, once completed and signed, certified that the owner was an artist.
This, in fact, has to do with art circuit criticism; criticism of the bureaucracy and the idea that anyone can become an artist as long as he satisfies certain conditions dictated by himself.
The book, the same book, was named under three status and sold with different prices:
SL (Sem luxo = no luxury)
SL Semi Luxory)
SL (Super Luxory)
Gabriel Borba, 2016
