José Gabriel Borba Filho
Carimbo e caneta hidrográfica, 0.00 X 0.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
29.70 X 21.00
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Poeticas Visuais (Visual Poetry)
23.00 X 15.50
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Arco Madrid 2015, Espaço B, In Contextu
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Fotocópia, 32.50 X 23.50
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: 6ª JAC Jovem Arte Contemporânea
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
diapositos, 0.00 X 0.00 X 0.00
Works, Series and Collections: POESIA eVENTO
Expositions: Espaço B, Noite POESIA EVENTO
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Mimiografo, 23.00 X 16.70 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Espaço B, In Contextu
OffSet, 34.00 X 24.00 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Impresso, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Colagem nankin sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
In 1976, Mauricio Fridman and I published the album TRÄMA.
It was the first production of the Cooperativa Geral Para Assuntos da Arte (General Cooperative for Art Affairs) we were organizing. It is worth mentioning that both names, the cooperative and the album, are elaborations of Mauricio's, with special irony and grace.
It was a matter of publishing together, agreeing with format, cover, binding and quantity of participation, preserving the individual in its creation. It was just Mauricio and me.
Two hundred copies were made and distributed among collectors and institutions.
I participated with Tachas (Tacks), whose first photocopied version was mounted in the anteroom of the board of the Museu de Arte Contenporânea da Universidade de São Paulo (Museum of Contemporary Art of the University of São Paulo) while waiting to be attended by director Walter Zanini. I remember that on top of a file gabinet were sheets of paper, scattered tacks, and on the next table a hand-held puncher. I was playn with that and it came out the Tachas we see now, after better elaboration in the studio; D'ÁprésVan Gogh I don't remember well, but it seems that on the occasion or so, the Aguilar Banda Performatica (Performing Band) showed an action that had the name Van Gogh's Ear. Will I have remembered Van Gogh for this? Do not know; NÓS elaborated from the photos of an intimate and solitary performance in the studio, experiencing the sentiment of Salvador Antich Puig, student, activist, about my age, condemned to the “garrote” in 1974 in Franco’s Spain; Jaula da Anta (Tapir’s Cage) , a reduction for printing of a parody of architectural design, in blueprint, presented at the IX Brazilian Congress of Architects in 1976 (if I remember correctly); and Hino dos Vencidos (Anthem of the Defeated), formerly Anthem to the Defeated (alteration led by Sergio Ferro who complained with an “include yourself in it”). Hymn of the Defeated, subject of notes and studies, has several versions, including one with the title in French, and has been published in several booklets. In addition to TRÄMA, OnOf; Lei /seca (Prohibition) and single runs. Tapir Cage, Knots and Anthem of the Defeated have become well known and often requested. Incidentally, Tachas also, to another extent.
At the foot of this image, those of Mauricio Fridman's creation
Gabriel Borba, 2018
