José Gabriel Borba Filho
Carimbo e caneta hidrográfica, 0.00 X 0.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
29.70 X 21.00
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Poeticas Visuais (Visual Poetry)
23.00 X 15.50
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Arco Madrid 2015, Espaço B, In Contextu
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Fotocópia, 32.50 X 23.50
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: 6ª JAC Jovem Arte Contemporânea
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
diapositos, 0.00 X 0.00 X 0.00
Works, Series and Collections: POESIA eVENTO
Expositions: Espaço B, Noite POESIA EVENTO
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Mimiografo, 23.00 X 16.70 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Espaço B, In Contextu
OffSet, 34.00 X 24.00 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Impresso, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Colagem nankin sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Figura (Figure),Nós (Us or Knots),TRÄMA
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Coleção em Cartaz (Collection on Display), Espaço B, In Contextu, Saturn, Tempos Fraturados
Briefing
From the album TRÄMA, 1975, off set and silk thread on tracing paper, 32 x 22 cm.
Cover of "Collection: other approaches: vol.I" Museum of Contemporary Art of the University of São Paulo. Text by Evandro Nicolau, pg 21
João Borba Commentary,
"This printed NÓS (we or knots), besides being a beautiful piece, is very interesting. Many readings grows if the political context is not overemphasized. Being tied together suggests more than what is weighed down by the context. The piece has a game of contrasts that fascinates: the weight of the content in the background and the lightness of the superimposed transparency; the human and corporeal and the grid that is almost a Cartesian graphic. And the sewing of the two planes in those lines like scars following the shape of the body is fascinating.
It says a lot.
The piece, I think, is political on another level, extending even beyond the mere context of the time, which may have been the springboard.
The stitching is also reminiscent of blood.
The fact that it is an image of the artist himself also leaves a mark on one's thoughts.
The graph suggests calculation, in that plane of lightness of transparency.
And it has the detail of being displaced from the frame, giving prominence to the grid of the graph as being a grid itself... A calculated thing that somehow softens the weight of the content in the background... As if the whole piece calculatingly escapes from its own content to a plane of aesthetic lightness, sublimating...
The grid outside the frame looks like a loose grid, ready for an escape"
João Borba, 2021
