José Gabriel Borba Filho
Carimbo e caneta hidrográfica, 0.00 X 0.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
29.70 X 21.00
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Poeticas Visuais (Visual Poetry)
23.00 X 15.50
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Arco Madrid 2015, Espaço B, In Contextu
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Fotocópia, 32.50 X 23.50
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: 6ª JAC Jovem Arte Contemporânea
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
diapositos, 0.00 X 0.00 X 0.00
Works, Series and Collections: POESIA eVENTO
Expositions: Espaço B, Noite POESIA EVENTO
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Mimiografo, 23.00 X 16.70 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Espaço B, In Contextu
OffSet, 34.00 X 24.00 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Impresso, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Colagem nankin sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
In Four it Disagree Better
My commentary
To compose this “misunderstandiment” the Cooperativa Geral Para Assuntos da Arte (General Cooperative for Art Afairs) invited Guinther Parscalck, at the time with formalist tendencies, today light fixture designer and Marcelo Nitsche, experimentalist sculptor.
Both of them, with Mauricio Fridman, are featured under the this image of the album's cover,
Note: One of the images of Guinter’s, being white-on-white, was omitted for poor visibility, and Nitsche's participation -sheets of tissue paper cut into appropriate shapes so that they could be scattered in a landscape image- remained inside its packaging.
Gabriel Borba, 2019
