José Gabriel Borba Filho
Carimbo e caneta hidrográfica, 0.00 X 0.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Expositions: ARTEMICRO
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Offset, 29.70 X 21.00 X 0.00
Works, Series and Collections: Artemicro (Artmicro)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Impresso, 31.50 X 31.50
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
29.70 X 21.00
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Poeticas Visuais (Visual Poetry)
23.00 X 15.50
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Arco Madrid 2015, Espaço B, In Contextu
Works, Series and Collections: Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Fotocópia, 32.50 X 23.50
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: 6ª JAC Jovem Arte Contemporânea
Offset, 31.00 X 21.00
Works, Series and Collections: PGU 666 and Artista Profissional
Expositions: A Formação do Artista, Tendências do Livro de Artista (Artist Book Trends)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
Impresso, 42.00 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
diapositos, 0.00 X 0.00 X 0.00
Works, Series and Collections: POESIA eVENTO
Expositions: Espaço B, Noite POESIA EVENTO
Works, Series and Collections: POESIA eVENTO, Operador (Operator)
Expositions: Noite POESIA EVENTO
Mimiografo, 23.00 X 16.70 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia
Expositions: Espaço B, In Contextu
OffSet, 34.00 X 24.00 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Expositions: Tendências do Livro de Artista (Artist Book Trends)
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.50 X 21.50 X 0.00
Works, Series and Collections: Receita de Arte Brasileira
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, The Lady I long for
Expositions: Espaço B
Impresso, 31.00 X 22.00
Works, Series and Collections: TRÄMA
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), Tendências do Livro de Artista (Artist Book Trends)
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
impresso colagem e fios coloridos, 29.70 X 21.00
Works, Series and Collections: Nós (Us or Knots), TRÄMA, Figura (Figure)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Espaço B, In Contextu, Saturn, Tempos Fraturados, Coleção em Cartaz (Collection on Display)
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Hino dos Vencidos (Anthem of the Defeated)
Expositions: Espaço B
29.70 X 21.00
Works, Series and Collections: TRÄMA, Jaula da Anta (Tapir's Cage), Transparências (Transparencies)
Expositions: AI-5 50 ANOS (AI-5 50 YEARS), In Contextu
Impresso colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: Espaço B, In Contextu
Xerox colagem, 29.70 X 21.00
Works, Series and Collections: TRÄMA, Transparências (Transparencies)
Expositions: 60 pós 60, AI-5 50 ANOS (AI-5 50 YEARS), Arco Madrid 2015, Copy Art in Brazil, 1970-1990, Espaço B, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Impresso colagem, 31.00 X 31.00
Works, Series and Collections: Em Quatro Desentende-se Melhor (Four are Best Misunderstood), Transparências (Transparencies)
Expositions: Exposição como gosto de expor, In Contextu
Mimiografo, 31.30 X 21.80 X 0.00
Works, Series and Collections: Rebusteia, Um Golpe de Dada (A Coup of Dada)
Expositions: In Contextu
Impresso, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Colagem nankin sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Nankin colagem sobre papel, 21.00 X 27.50 X 0.00
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 21.00 X 27.50
Works, Series and Collections: Vinte Pagina (Twenty Pages)
Impresso, 47.97 X 29.70
Works, Series and Collections: PGU 666 and Artista Profissional
(General Record Unified 666)
My commentary
Later, in 1985, while organizing drawers — separating production files, annotations, lay outs, paste up, photolithography — I noticed that in PGU 666 there were random images, stamps mostly, with visual-quality related in structure with the collages I had slowly been making for years. Travel Souvenirs.
I separated six. I dated them and gave them titles that seemed to me to be suggestive and somewhat related to what was read or seen and which, at the same time, referred back to its bureaucratic origin. It was no longer the Exception and the Rule, but always, the Unified General Record.
Of the new version of PGU 666, ABNT A3 format, six pages, were made three copies, in envelopes like the album Em Quatro Desentende-se Melhor (In Four it Disagree Better).
The material is reserved for printing on demand of limited numbered copies.
Gabriel Borba, 2018
