Drawing, collages and related

Drawing

My commentary, 2018

 

Drawing has been a way of thinking.

 

Carlos Fajardo says that "drawing is the space between", Desenho como Instrumento, Cooperativa dos Artistas Plásticos de São Paulo, 1979. Of course.

A portrait, even a caricature, is precisely what is between the several turns of the line. A line that somewhat determines the quality of its expression. Ironic, funny,denouncing ...

But What about the circle?  Is it that the circle is  itself its surrounding line or the disk that is, actually, the "space between"? Here no deformation is allowed except for the quality of the line: hue, value, sensitivity ... The disk, though, will always be the same

 

Phrase attributed to Picasso draw my attention: "Before a painting was a sum of additions. With me a painting is a sum of destruction. "

 

Such things would destroy the circle. They would overshadow the disk to construct an expressive far-reaching mode than the specific object of that drawing. Meaning that it goes beyond the "space between".

The space around, them?

Or better, the "space between" those who see and that wich is seeing.

 

Note: In this website Photos; Photomontage; engraving and other printed matter are classified as Drawings, collages and related

Gabriel Borba, 2018

Conjunto da Obra

A Mão da Moça (The Hand of the Girl)

Apenas (Just)

Cartas de Alexandria (Letters from Alexandria)

Cicatriz (Scar)

Corpo che cade

Deconstrução

Figura (Figure)

Gestörte Numeration

Hino dos Vencidos (Anthem of the Defeated)

Imagens de Urgência (Urgency Images)

Jaula da Anta (Tapir's Cage)

Lembranças de Viagem (Travel Souvenirs)

Limiar do Visível (Threshold of the visible)

Mascara video installation

Nós (Us or Knots)

O Estado das Coisas (The State of Things)

O Gato Acorrentado a Um Só Traçado (The Cat Chained to a Single Stroke)

Objeto ME

Objeto ME az

Objeto ME az, 1981

Heliografia com madeira e fio, 53.00 X 55.00 X 0.00

Works, Series and Collections: Objeto ME

Objeto ME vm

Objeto ME vm, 1981

Heliografia com madeira e fio, 51.00 X 52.00 X 0.00

Works, Series and Collections: Objeto ME

Obra esparsa (scattered works)

Opereta

Pequeno Mobiliário Brasileiro

Portraits

Rebusteia

Risco Arisco (Risky Risk)

Saga do Guerreiro Morto (Saga of the Dead Warrior)

Série Carnavalesca (Carnival Series)

Sudario (Shroud)

The Lady I long for

TRÄMA

Transparências (Transparencies)

Visitando Miró (Visiting Miró)

Untitled (serie Nos), 1975

Fotomontagem

Works, Series and Collections: Figura (Figure)

Expositions: Artissima 2017

Untitled (Nos)

 

KADIST Collection

Collector's briefing, 2019

 

Gabriel Borba Filho was aware of what was happening on the other side of the Atlantic, and Untitled (Nos) is linked to both the social and political climates in Brazil and Spain during the Franco period. The Untitled Nos (Us or knots) echoes this sharing of a situation of misfortune. He was particularly touched by the execution of Salvador Puig Antich, to whom this work pays homage, and also by the political assassination of one of his best friends. Salvador Puig Antich was a Catalan anarchist executed in 1974. After being tortured, he was put on his feet to suffer. He was the last political prisoner garroté of Franco’s rule. As by obsession it so is that the images remain in memory throughout the series; the same subject and the same photo is represented several times. What is especially interesting in Untitled (Nos) is that the subject is face to face with himself, with his own situation, in full consciousness despite the ordeal. Self-awareness is a way to affirm the strength of life and to free oneself from the adversities of the totalitarian state. The presence of this young body places us in a position between violence and sensuality. This work responds in the collection to the series of photographs of Pazos and the installation of Marta Araujo.