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This time in Roberto Moreira Cruz's postdoctoral research, a precious survey of the first video works by artists from São Paulo, in a collection from the 1970s. This resulted in the exhibition Video_MAC, his curatorshipin whose opening there was a live broadcast of a conversation between the curator and me.
Interested in artistic multimedia productions, Walter Zanini, as director of the Museum of Contemporary Art at the University of São Paulo, among multiple initiatives in the category, invested in 1976 in the purchase of, rare at the time, portable video recording equipment and in the training of artists. He organized the Video Art sector coordinated by Cacilda Texeira da Costa, which included technical guidance for novices in handling the equipment.
Gabriel Borba, 2020