Papeis: caminhos do visivel (Papers: paths to the visible)

Papeis: caminhos do visivel (Papers: paths to the visible), 2010

Papeis: caminhos do visivel

Papers: paths to the visible

 

My commentary

Between 2008 and 2009, I was interested, as before, in reading Haykais. I dismissed, this time, the effort to approach kanji , and I read in English, enchanted by a "... magical moment when words took on meaning beyond meaning," in the words of Jackie Hardy in Haiku Poetry, Ancient and Modern.

I repeated the experiment with strokes without neglecting titles.


Given the delicate visibility of most of these drawings, chosen with others from the same company, curator Carmen Aranha called the set Papeis: caminhos do visivel (Papers: Paths of the Visible).


Under the guidance of curators Carmem Aranha and Loly Demercian at the Exhibition at Casa Galeria, it was proposed a workshop with Paulo Caruso and me, focusing on the difference and similarity between visual and graphic arts.

Gabriel Borba

 

 

Conjunto da Obra

Limiar do Visível (Threshold of the visible)

Bruit de Guerre d'après Rameau, 2010

Impressão fio de nylon e aquarela em papel, 29.70 X 21.00 X 0.00

Works, Series and Collections: Limiar do Visível (Threshold of the visible)

Expositions: Papeis: caminhos do visivel (Papers: paths to the visible)