Arte ou Similar (Art or Similar)

Arte ou Similar (Art or Similar)

My commentary, 2018

 

Art or Similar, 1971, was part of my andergraduate thesis at the Faculty of Architecture and Urbanism of the University of São Paulo, IGW at the time, Integrated Graduation Work. I had the guidance of Flávio Império, Architect, Set Designer, Costume Designer and Professor. We divided the work into three parts: a theoretical text where art and the artist were discussed; an exhibition of works done throughout 1969 and 1970 and the design of a residence.

Vilém Flusser, a philosopher and professor, visited the exhibition that was held in the Institute of Architects of Brazil, in São Paulo, and after seeing the whole thing without saying a word, invited me to listen to his lecture at the São Paulo Academy of Letters, near by. At the end of his lecture about Marxism, he said: "I am sorry, but I do not understand very well about this subject and who actualy understands it is that young man sitting back there, from whom I have just seen an exhibition and whom I am inviting to be my assistant. Do you accept? I accepted. And I became a professor.

The name Arte or Similar has its origin in two strands. The first was my disenchantment with what I was doing. I was bored with the painting and although I continued with some of them, half-heartedly, and without stopping to draw, I started the jokes that are seen in Art or Similar, where, incidentally, there are half-paintings, ... which I discussed with my advisor, a master painter in mastery and content who use to mock me, asking at every stacked or thrown thing we saw, whether in construction sites or in mechanical workshops or another, "was that you who did it?" The other strand was my father telling that in his office there where an employee who,  
carrying papers in his hands, would explaining "it's a process or similar." I thought it was appropriate.

Gabriel Borba

Conjunto da Obra

Arte ou Similar (Art or Similar)